This article seeks to explore into the impact of 9/11 tragedy on the private lives of ordinary people and individuals and into the associated theme of identity crisis, as reflected in four important post-9/11 poems – “Someone Says They Looked Like Cartwheeling Birds” by Lyn Lifshin, “Making Love After September 11, 2001” by Aliki Barnstone, “Surviving” by Pat West and “October” by Louise Gluck. As such an impact and identity crisis are inseparably related to trauma, it is quite legitimate to examine this issue in reference to trauma theory and, especially, the concept of “belatedness”, although the first two poems are not clearly connected to this theory. My article, ultimately, attempts to demonstrate the points that identity crisis in th...
Conceptualisations of modern literary history are premised upon a series of dynastic successions, wh...
This thesis argues that the novels of 9/11 form a distinct genre within contemporary American fictio...
Artists have memorialised war since ‘time immemorial’ but the collisions between artists and war did...
My dissertation examines the cultural functions of poetry in the aftermath of the September 11, 200...
The paper examines the immediate responses that emerged in American poetry after the terrorist attac...
My article examines two post-9/11 American poems – “Towers Down" by Clive Matson and “When the World...
Literary criticism has debated the usefulness of the trauma paradigm found in much post-9/11 fiction...
The shocking and unprecedented attacks of September 11 brought home to Americans the reality that th...
In a post-postmodern world void of exclusive identities, limited localities or hindering cultural bo...
Theoretical thesis.Bibliography: pages 195-2121. Introduction -- 2. Trauma narrative in post-9/11 no...
The terrorist attack of 11 September 2001 was a momentous event that marked contemporary history. Fo...
Over the past decade, the impact of the terroristic attacks of September 11, 2001 on American cultur...
: This Article Aims To Challenge The Prevalent Assumptions That Postmodernism Is Something Completel...
In what sense did 9/11 become the day when American changed? How does the poetic landscape of 9/11 r...
Traumatic events demand a response that recognizes their impact rather than one that moves rapidly t...
Conceptualisations of modern literary history are premised upon a series of dynastic successions, wh...
This thesis argues that the novels of 9/11 form a distinct genre within contemporary American fictio...
Artists have memorialised war since ‘time immemorial’ but the collisions between artists and war did...
My dissertation examines the cultural functions of poetry in the aftermath of the September 11, 200...
The paper examines the immediate responses that emerged in American poetry after the terrorist attac...
My article examines two post-9/11 American poems – “Towers Down" by Clive Matson and “When the World...
Literary criticism has debated the usefulness of the trauma paradigm found in much post-9/11 fiction...
The shocking and unprecedented attacks of September 11 brought home to Americans the reality that th...
In a post-postmodern world void of exclusive identities, limited localities or hindering cultural bo...
Theoretical thesis.Bibliography: pages 195-2121. Introduction -- 2. Trauma narrative in post-9/11 no...
The terrorist attack of 11 September 2001 was a momentous event that marked contemporary history. Fo...
Over the past decade, the impact of the terroristic attacks of September 11, 2001 on American cultur...
: This Article Aims To Challenge The Prevalent Assumptions That Postmodernism Is Something Completel...
In what sense did 9/11 become the day when American changed? How does the poetic landscape of 9/11 r...
Traumatic events demand a response that recognizes their impact rather than one that moves rapidly t...
Conceptualisations of modern literary history are premised upon a series of dynastic successions, wh...
This thesis argues that the novels of 9/11 form a distinct genre within contemporary American fictio...
Artists have memorialised war since ‘time immemorial’ but the collisions between artists and war did...